NATURALEZA EN LA MÚSICA: Una aproximación al elemento natural en la música contemporánea a través del leguaje de Oliver Messiaen.
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2022-06-21
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Jaén: Universidad de Jaén
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[ES] La naturaleza ha sido uno de los elementos más recurrentes e importantes para muchos compositores a lo largo de la historia de la música. En las estructuras clásicas podemos apreciar con cierta facilidad dicho elemento, pero en la música contemporánea, debido a su complejidad, el hecho de poder hallarlo se nos complica. Oliver Messiaen (⁕1908; †1992) es considerado uno de los padres de la Segunda Escuela de Viena y por tanto uno de los padres de la música contemporánea. Durante el desarrollo de esta investigación, se indaga en la presencia de la naturaleza en la música a través de un estudio analítico del VII movimiento del Cuarteto Para el Fin de los Tiempos de Oliver Messiaen, mostrando cómo es posible representar en una composición elementos naturales a través de elementos musicales.
Otro elemento recurrente en la música es la teología. Desde el inicio del conocimiento el ser humano ha sentido la necesidad de creer en una fuerza superior para afrontar el miedo a lo desconocido y hacia la muerte. Este elemento se mantiene presente en la música contemporánea y a través del análisis anteriormente mencionado veremos cómo lo aborda el compositor.
[EN] Nature has been one of the most recurring and important elements for many composers throughout the history of music. In classical structures we can appreciate this element with some ease, but in contemporary music, due to its complexity, the fact of being able to find it is complicated for us. Oliver Messiaen (⁕1908; † 1992) is considered one of the fathers of the Second Vienna School and therefore one of the fathers of contemporary music. During the development of this research, the presence of nature in music is investigated through an analytical study of the VII movement of the Quartet For the End of Times by Oliver Messiaen, showing how it is possible to represent natural elements in a composition. through musical. elements. Another recurring element in music is theology. Since the beginning of knowledge, human beings have felt the need to believe in a superior force to face the fear of the unknown and of death. This element remains present in contemporary music and through the aforementioned analysis we will see how the composer approaches it.
[EN] Nature has been one of the most recurring and important elements for many composers throughout the history of music. In classical structures we can appreciate this element with some ease, but in contemporary music, due to its complexity, the fact of being able to find it is complicated for us. Oliver Messiaen (⁕1908; † 1992) is considered one of the fathers of the Second Vienna School and therefore one of the fathers of contemporary music. During the development of this research, the presence of nature in music is investigated through an analytical study of the VII movement of the Quartet For the End of Times by Oliver Messiaen, showing how it is possible to represent natural elements in a composition. through musical. elements. Another recurring element in music is theology. Since the beginning of knowledge, human beings have felt the need to believe in a superior force to face the fear of the unknown and of death. This element remains present in contemporary music and through the aforementioned analysis we will see how the composer approaches it.