PROCESO DE INVESTIGACIÓN CREATIVA. IDUMA, MÚSICA VIVA
Fecha
2022-06-24
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Jaén: Universidad de Jaén
Resumen
[ES] El trabajo Fin de Máster que se presenta con este documento se ha realizado siguiendo la línea de
investigación que estudia los recursos innovadores e interpretativos del trombón como es la técnica
extendida.
La investigación artística que se desarrolla en este trabajo está formada por dos partes. Por un lado, se
realiza una investigación en la cual se puede contextualizar la parte teórica que conforma este proyecto. Es decir, se han realizado varias entrevistas a compositores e intérpretes y también se ha realizado una encuesta a diversos trombonistas para indagar en sus conocimientos sobre la materia que se trata en esta investigación. Para finalizar, por otro lado, se genera una obra de nueva composición en la que se emplean métodos autoetnográficos de observación y se integran en ella elementos de la técnica extendida.
[EN] The final master's degree that is presented with this document has been carried out following the line of research that study the innovative and interpretative resources of the trombone as it is the extended technique. The artistic research that is developed in this work is formed by two parts. On the one hand, an investigation is carried out with which the theoretical part that makes up this project can be contextualized. That is to say, some interviews have been conducted with composers and performers and a survey has been carried out with various trombonists to inquire into their knowledge of the subject we are dealing with with this research. Finally, on the other hand, a work of new composition is generated in which autoethnographic methods of observation are used and elements of the extended technique are integrated into it.
[EN] The final master's degree that is presented with this document has been carried out following the line of research that study the innovative and interpretative resources of the trombone as it is the extended technique. The artistic research that is developed in this work is formed by two parts. On the one hand, an investigation is carried out with which the theoretical part that makes up this project can be contextualized. That is to say, some interviews have been conducted with composers and performers and a survey has been carried out with various trombonists to inquire into their knowledge of the subject we are dealing with with this research. Finally, on the other hand, a work of new composition is generated in which autoethnographic methods of observation are used and elements of the extended technique are integrated into it.