¿Quién no ha “escuchado” por Linares pasar un ferrocarril? Proyecto didáctico interdisciplinar
Fecha
2023-02
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Jaén: Universidad de Jaén
Resumen
En este trabajo se pretende aproximar al alumnado linarense de secundaria a la década de los 60 del siglo XX, a través del estudio y reconstrucción de su paisaje sonoro. Para ello, se propone un proyecto interdisciplinar innovador dirigido
a primer curso de ESO desde la materia de Música en colaboración con las asignaturas de Educación Física y Geografía e Historia. A través del aprendizaje cooperativo y el método de Aprendizaje Basado en Proyectos (ABP), el alumnado
realizará tareas de diversa índole orientadas a la elaboración de un producto final: un mapa sonoro de Linares en la década escogida. El fin último es concienciar a la comunidad educativa sobre la importancia de su patrimonio sonoro y la relevancia del sonido como generador de identidades.
This project aims to bring Linares students closer to the 60s of the 20th century, through the study and reconstruction of their sound landscape. To do this, an innovative interdisciplinary project is proposed for the first year of ESO from the subject of Music in collaboration with the subjects of Physical Education and Geography and History. Through cooperative learning and the Project-Based Learning (PBL) method, students will carry out tasks of various kinds aimed at developing a final product: a sound map of Linares in the chosen decade. The ultimate aim is to make the educational community aware of the importance of its sound heritage and the relevance of sound as a generator of identities.
This project aims to bring Linares students closer to the 60s of the 20th century, through the study and reconstruction of their sound landscape. To do this, an innovative interdisciplinary project is proposed for the first year of ESO from the subject of Music in collaboration with the subjects of Physical Education and Geography and History. Through cooperative learning and the Project-Based Learning (PBL) method, students will carry out tasks of various kinds aimed at developing a final product: a sound map of Linares in the chosen decade. The ultimate aim is to make the educational community aware of the importance of its sound heritage and the relevance of sound as a generator of identities.
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Música, Music