AURORE SUR LA MER. UNA PROPUESTA APROPIACIONISTA PARA VOZ Y FLAUTA
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2018-09-27
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Jaén: Universidad de Jaén
Resumen
[ES]Esta investigación explora el concepto de apropiacionismo en música a
través de obras compuestas por dos autoras, Cécile Chaminade y
Renée Vivien, y culmina con la creación de una pieza, para Flauta y voz
que parte de la de ellas.
En este proceso de re-creación se utilizan fragmentos del Concertino
Op. 107 de Chaminade, una breve sección del aria Adieu notre petite
table de Massenet y fragmentos de creación propia para musicalizar el
poema Aurore sur la mer de Vivien.
En este trabajo analizo el proceso de creación de la nueva obra. Tras
un análisis formal y armónico del Concertino paso a la composición de
la voz (combinando melodía de Chaminade, Massenet y el poema de
Vivien) que decido acompañarla con una base armónica para dos
Flautas. Una vez editada la partitura con el programa Musescore doy
paso a la grabación de las tres voces, interpretadas personalmente, y
combinándolas para crear un único audio (anexado en el CD) con el
programa Audacity.
Quiero destacar además que, aunque no era el objetivo principal al
comenzar esta investigación, el haber escogido obras compuestas por
dos mujeres me ha servido para reflexionar sobre la poca presencia de
la mujer a lo largo de la historia en todos los ámbitos culturales. La obra
que presento es, por tanto, un homenaje a ellas.
Palabras clave
Apropiacionismo, re-creación, creación, imitación, música, poesía,
Cécile Chaminade, Renée Vivien.
[EN]This research explores the concept of appropriationism in music through works composed by two authors, Cécile Chaminade and Renée Vivien, and culminates with the creation of a piece, for Flute and voice that starts from theirs. In this process of re-creation, I use fragments of Chaminade's Concertino Op. 107, a short section of Massenet's aria Adieu notre petite table and fragments of my own creation to musicalise the poem Aurore sur la mer by Vivien. In this work I analyze the process of creation of my new work. After a formal and harmonic analysis of the Concertino I step to the composition of the voice (combining melody of Chaminade, Massenet and the poem of Vivien) that I decide to accompany it with a harmonic base for two Flutes. Once the score has been edited with Murescore, I record the three voices, played personally, and combined to create a single audio (attached to the CD) using Audacity. I would also like to emphasize that, although it was not the main objective at the beginning of this investigation, having chosen works composed of two women has helped me to reflect on the little presence of women throughout history in all cultural areas. The work that I present is, therefore, a tribute to them. Key words Appropriatinism, re-creation, creation, imitation, music, poetry, Cécile Chaminade, Renée Vivien.
[EN]This research explores the concept of appropriationism in music through works composed by two authors, Cécile Chaminade and Renée Vivien, and culminates with the creation of a piece, for Flute and voice that starts from theirs. In this process of re-creation, I use fragments of Chaminade's Concertino Op. 107, a short section of Massenet's aria Adieu notre petite table and fragments of my own creation to musicalise the poem Aurore sur la mer by Vivien. In this work I analyze the process of creation of my new work. After a formal and harmonic analysis of the Concertino I step to the composition of the voice (combining melody of Chaminade, Massenet and the poem of Vivien) that I decide to accompany it with a harmonic base for two Flutes. Once the score has been edited with Murescore, I record the three voices, played personally, and combined to create a single audio (attached to the CD) using Audacity. I would also like to emphasize that, although it was not the main objective at the beginning of this investigation, having chosen works composed of two women has helped me to reflect on the little presence of women throughout history in all cultural areas. The work that I present is, therefore, a tribute to them. Key words Appropriatinism, re-creation, creation, imitation, music, poetry, Cécile Chaminade, Renée Vivien.
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