The Concept of Transformation in Pinocchio by C. Collodi and Pygmalion by G.B. Shaw
Fecha
2016-07-22
Autores
Título de la revista
ISSN de la revista
Título del volumen
Editor
Jaén: Universidad de Jaén
Resumen
El objetivo de este trabajo académico es mostrar un análisis comparativo de dos obras importantes de la historia de la literatura, Pinocho, (1883) de Carlo Collodi y Pigmalión, (1913) de Bernard Shaw.
Este proyecto está estructurado en dos partes; en la primera se trata el concepto de transformación, seguido de una ejemplificación de dicho concepto en algunas obras de la Literatura Universal obras Universales. En la segunda parte, se muestra una de las máximas influencias en las obras principales de este trabajo, el mito de Ovidio, Pigmalión y Galatea, incluido en su obra La Metamorfosis (8 d. C). En esta última parte, también se aprecia el objetivo principal de este proyecto, el análisis comparativo de Pinocho y Pigmalión.
The main objective of this academic work is to shows the comparative analysis of Pinocchio (1883), by Carlo Collodi and Pygmalion (1913), by George Bernard Shaw. This Project is structured in two parts; the first part deals with the concept of transformation followed by some examples of works in Universal Literature. The second part shows one of the most important influence of these two works, the Ovid’s myth, Pygmalion and Galatea, included in his work The Metamorphoses (8 a. C). In this section, it also appears the central topic of this piece of academic work which is the comparative analysis of Pinocchio and Pygmalion.
The main objective of this academic work is to shows the comparative analysis of Pinocchio (1883), by Carlo Collodi and Pygmalion (1913), by George Bernard Shaw. This Project is structured in two parts; the first part deals with the concept of transformation followed by some examples of works in Universal Literature. The second part shows one of the most important influence of these two works, the Ovid’s myth, Pygmalion and Galatea, included in his work The Metamorphoses (8 a. C). In this section, it also appears the central topic of this piece of academic work which is the comparative analysis of Pinocchio and Pygmalion.