Propuesta teórico-práctica sobre el segundo movimiento del concierto para trombón y orquesta de Henri Tomasi
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2021-05-05
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El actual trabajo versará acerca del segundo movimiento del Concierto para Trombón y
Orquesta del compositor francés Henri Tomasi. Hace referencia a un concierto por el cual, exige
al trombonista, como se verá a continuación, disponer de un gran dominio técnico-musical. Hacer
frente a este tipo de conciertos es necesario previamente de un estudio bien organizado y
elaborado para poder subsanar todas las dificultades técnicas que presenta. Por este motivo y
como punto principal de esta investigación, se realizará una guía teórico-práctica que da lugar
con un total de 16 ejercicios, cuyo objetivo es enfatizar aquellas dificultades técnicas más
relevantes que se han podido observar a lo largo de este movimiento. Posteriormente, dadas las
características de este trabajo, se llevará a cabo un breve acercamiento sobre la investigación
artísticas y performativa en la práctica musical. La investigación finalizará con la interiorización
de toda la información obtenida por medio de la interpretación del segundo movimiento.
The actual work will deal with the second movement of the Concerto for Trombone and Orchestra by the French composer Henri Tomasi. It refers to a concert that requires the trombonist, as we will see below, to have a great technical-musical mastery. Dealing with this type of concert requires a well organized and elaborated study to be able to solve all the technical difficulties that it presents. For this reason and as a main point of this research, a theoretical- practical guide will be made which gives rise to a total of 16 exercises, whose objective is to emphasize those most relevant technical difficulties that have been observed throughout this movement. Subsequently, given the characteristics of this work, a brief approach will be made to artistic and performative research in musical practice. The research will end with the interiorization of all the information obtained through the interpretation of the second movement.
The actual work will deal with the second movement of the Concerto for Trombone and Orchestra by the French composer Henri Tomasi. It refers to a concert that requires the trombonist, as we will see below, to have a great technical-musical mastery. Dealing with this type of concert requires a well organized and elaborated study to be able to solve all the technical difficulties that it presents. For this reason and as a main point of this research, a theoretical- practical guide will be made which gives rise to a total of 16 exercises, whose objective is to emphasize those most relevant technical difficulties that have been observed throughout this movement. Subsequently, given the characteristics of this work, a brief approach will be made to artistic and performative research in musical practice. The research will end with the interiorization of all the information obtained through the interpretation of the second movement.
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