El acto de caminar durante el trascurso de la historia y su reactualización por los compositores del siglo XXI
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2021-05-12
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Este Trabajo Final de Máster trata sobre la importancia de un hecho tan básico a la vez que trascendental
y creativo, como el acto de caminar. Para numerosos pensadores esta práctica es la causa directa de la
transformación simbólica del espacio físico y, también, del mundo interior de las personas que la realizan.
Esta idea llegó a ser una herramienta estética imprescindible para la representación de un mundo
espiritual, místico o filosófico que numerosos artistas usaron para crear sus más célebres creaciones. Uno
de ellos es el compositor italiano Luigi Nono, quien a través de su trabajo para dos violines “Hay que
caminar “soñando (1989), en el que incorpora la técnica del uso del espacio, nos introduce en aquel
misterioso paseo con finalidad de abrirnos todo un universo de posibilidades sonoras que en todo
momento se dirigen hacia el infinito.
Esta obra es el último trabajo que realizó Nono antes de morir. Tal vez se trate de una especie de
testamento vital, un alegato hacia la vida que estaba a punto de perder, donde la única posibilidad del
encuentro con el más allá era mediante la representación de un camino.
This Final Master's Project deals with the importance of a fact as basic as it is transcendental and creative, such as the act of walking. For many thinkers this practice is the direct cause of the symbolic transformation of physical space and, also, of the inner world of the people who carry it out. This idea became an essential aesthetic tool for the representation of a spiritual, mystical or philosophical world that many artists used to create their most famous works. One of them is the Italian composer Luigi Nono, who through his work for two violins "We must walk" dreaming (1989), in which he incorporates the technique of the use of space, introduces us to that mysterious walk in order to open up a whole universe of sound possibilities that at all times are directed towards infinity. This work is the last work that Nono made before dying. Perhaps it is a kind of living will, a plea for life that was about to lose, where the only possibility of meeting with the afterlife was through the representation of a path.
This Final Master's Project deals with the importance of a fact as basic as it is transcendental and creative, such as the act of walking. For many thinkers this practice is the direct cause of the symbolic transformation of physical space and, also, of the inner world of the people who carry it out. This idea became an essential aesthetic tool for the representation of a spiritual, mystical or philosophical world that many artists used to create their most famous works. One of them is the Italian composer Luigi Nono, who through his work for two violins "We must walk" dreaming (1989), in which he incorporates the technique of the use of space, introduces us to that mysterious walk in order to open up a whole universe of sound possibilities that at all times are directed towards infinity. This work is the last work that Nono made before dying. Perhaps it is a kind of living will, a plea for life that was about to lose, where the only possibility of meeting with the afterlife was through the representation of a path.