“Rafael Alberti y la pintura”
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Fecha
2024-09-17
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Jaén: Universidad de Jaén
Resumen
[ES] Este trabajo intenta ahondar en la vocación poética y pictórica de Rafael Alberti a través del estudio de su
poemario A la pintura. Para ello se analiza su biografía (teniendo en cuenta La arboleda perdida), las
diferentes versiones que existieron, la estructura, los temas, la métrica, la sintaxis y el léxico. Se presta
particular atención a cómo Rafael Alberti transforma el lienzo físico en poesía. Para ello, se han mostrado
todos los pintores que conforman la obra, las características que lo identifican y la temática sobre la que
se poetiza en las composiciones. Esto contribuye a evocar un ejercicio de écfrasis que da como resultado
una mimesis entre el arte pictórico y poético. Para ello, Alberti utiliza distintos recursos formales que le
permiten expresar la añoranza de un tiempo pasado, el ensalzamiento de la poesía y la pasión por la
pintura.
Resumen Inglés (máx.
[EN] This work tries to delve into the poetic and pictorial vocation of Rafael Alberti through the study of his poetry collection A la pintura. To do this, his biography is analysed (taking into account La arboleda perdida), the different versions that existed, the structure, the themes, the meter, the syntax and the lexicon. Particular attention is paid to how Rafael Alberti transforms the physical canvas into poetry. For this, all the painters that make up the work have been shown, the characteristics that identify it and the theme on which it is poetized in the compositions. This contributes to evoking an exercise in ecphrasis that results in a mimesis between pictorial and poetic art. Alberti uses different formal resources that allow him to express the longing for a past time, the exaltation of poetry and the passion for painting.
[EN] This work tries to delve into the poetic and pictorial vocation of Rafael Alberti through the study of his poetry collection A la pintura. To do this, his biography is analysed (taking into account La arboleda perdida), the different versions that existed, the structure, the themes, the meter, the syntax and the lexicon. Particular attention is paid to how Rafael Alberti transforms the physical canvas into poetry. For this, all the painters that make up the work have been shown, the characteristics that identify it and the theme on which it is poetized in the compositions. This contributes to evoking an exercise in ecphrasis that results in a mimesis between pictorial and poetic art. Alberti uses different formal resources that allow him to express the longing for a past time, the exaltation of poetry and the passion for painting.