A isla de los muertos
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2017-06-30
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Jaén: Universidad de Jaén
Resumen
El propósito de este trabajo es inmiscuirse en el lienzo titulado « La Isla de los Muertos », del pintor suizo Amold Bocklin, considerando que ilustra el ocaso de un movimiento cultural e intelectual humanístico. Aproximarse a la aparente singularidad de la obra, te obliga a realizar un ruta interpretativa basándose principalmente en su estructura formal, su trama simbólica, sus valores emocionales y sensoriales, sus condiciones técnicas, históricas o biográficas, la red de afinidades con otras creaciones del mismo artista o autores oportunos, o también con las expresiones literarias, musicales o filosóficas de su tiempo, procurando que la obra se entienda de forma autónoma, dentro de un contexto histórico cultural de finales del siglo XIX y facilitar la comprensión de los movimientos artísticos renovadores que se produjeron en Europa, en las primeras décadas del siglo XX, hoy considerados dogmáticos, contrastando la posible afinidad con la coyuntura actual.
The purpose of this work is to interfere in the canvas entitled "The !stand of the Dead", by the Swiss painter Amold Bocklin, considering that it illustrates the decline of a humanistic cultural and intellectual movement. Approaching the apparent singularity of the work, it forces you to make an interpretative route based mainly on its formal structure, its symbolic plot, its emotional and sensorial values, its technical, historical or biographical conditions, the network of affinities with other creations of the same Artist or authors, or with the literary, musical or philosophical expressions of his time, making sure that the work is understood autonomously, within a historical cultural context of the late nineteenth century and to facilitate the understanding of the artistic movements of renewal that Were produced in Europe, in the fust decades of the twentieth century, today considered dogmatic, contrasting the possible affinity with the current situation.
The purpose of this work is to interfere in the canvas entitled "The !stand of the Dead", by the Swiss painter Amold Bocklin, considering that it illustrates the decline of a humanistic cultural and intellectual movement. Approaching the apparent singularity of the work, it forces you to make an interpretative route based mainly on its formal structure, its symbolic plot, its emotional and sensorial values, its technical, historical or biographical conditions, the network of affinities with other creations of the same Artist or authors, or with the literary, musical or philosophical expressions of his time, making sure that the work is understood autonomously, within a historical cultural context of the late nineteenth century and to facilitate the understanding of the artistic movements of renewal that Were produced in Europe, in the fust decades of the twentieth century, today considered dogmatic, contrasting the possible affinity with the current situation.