ARMONIZACIÓN MELODÍA CANCIONERO ANDALUZ “DORMIDITO ESTÁ JESÚS”
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2018-10-01
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Jaén: Universidad de Jaén
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[ES]La obra que vehicula la presente investigación es una pieza del cancionero de la
Alpujarra granadina, la cual sólo cuenta con melodía y texto, tiene un título que alude al
niño Jesús. Ésta en concreto debía de cantarse en navidad, según el texto que presenta. Esta canción ha sido armonizada siguiendo lo que la letra sugiere. Se ha distinguido tres
partes: la primera lenta, pues el niño Jesús está durmiendo, dónde la segunda guitarra
realiza adornos con escalas, la tercera guitarra realiza arpegios muy suaves en
posiciones más agudas y la cuarta guitarra acordes a negras. Ya en la segunda parte, según la letra de la canción, se trata de despertar al niño con tambores y percusión, aquí
se utiliza recursos guitarrísticos como "tambora" y "tabalet". Y ya en la tercera parte se
realizan una serie de contestaciones en la guitarra segunda y cambios de ritmo en la
tercera y cuarta guitarra para dar un carácter más alegre. Este arreglo ya ha sido interpretado por varios cuartetos de guitarras formado
por alumnos y alumnas de segundo curso de segundo ciclo de enseñanzas básicas en
varios conservatorios de Andalucía, con unos resultados y beneficios inmejorables en
su formación. Además, con esta armonización se pretende recuperar la música andaluza y que
el alumnado interprete una obra de inspiración andaluza o de autor andaluz, ya sea
como solista o en grupo como es este caso, según marca los objetivos generales de las
enseñanzas básicas de música. Palabras clave: Cancionero andaluz. Armonización. Guitarra. Enseñanzas básicas.
[EN]The goal of this research is to recover a tune of the songbook of the Alpujarra of Granada which only has melody and lyrics. The title of this tune talk about the infant Jesus, the Holly Child. According to its lyrics, this tune had to be sung at Christmas, We have harmonized the song following what lyrics suggest. Three parts have been distinguished: The first one will be played in a slow tempo, because the Infant Jesus is sleeping. In this part a second guitar performs ornaments using scales, and a third guitar performs very soft arpeggios in the higher positions of the instrument. Finally, a fourth guitar will play chords on the beat. According to the lyrics of the song, the second part talk about the awakening of the Holly Child. Here appears drums and percussion, so we use guitar resources such as "tambora" and "tabalet". The third part uses the question and answer and changes of rhythm as a resource that are performed by the second and third guitars. The fourth guitar is used to give a more cheerful character. This arrangement has already been interpreted by different guitar quartets formed by students of basic education in several Andalusian conservatories, with excellent results and benefits in their training. In addition, this harmonization aims to recover Andalusian music and awake the willing of music students to play works with Andalusian inspiration or works of Andalusian authors, either as a soloist or in a group, according to the general objectives of basic music education. Keywords: Andalusian songbook, Guitar. Harmonization, Music education
[EN]The goal of this research is to recover a tune of the songbook of the Alpujarra of Granada which only has melody and lyrics. The title of this tune talk about the infant Jesus, the Holly Child. According to its lyrics, this tune had to be sung at Christmas, We have harmonized the song following what lyrics suggest. Three parts have been distinguished: The first one will be played in a slow tempo, because the Infant Jesus is sleeping. In this part a second guitar performs ornaments using scales, and a third guitar performs very soft arpeggios in the higher positions of the instrument. Finally, a fourth guitar will play chords on the beat. According to the lyrics of the song, the second part talk about the awakening of the Holly Child. Here appears drums and percussion, so we use guitar resources such as "tambora" and "tabalet". The third part uses the question and answer and changes of rhythm as a resource that are performed by the second and third guitars. The fourth guitar is used to give a more cheerful character. This arrangement has already been interpreted by different guitar quartets formed by students of basic education in several Andalusian conservatories, with excellent results and benefits in their training. In addition, this harmonization aims to recover Andalusian music and awake the willing of music students to play works with Andalusian inspiration or works of Andalusian authors, either as a soloist or in a group, according to the general objectives of basic music education. Keywords: Andalusian songbook, Guitar. Harmonization, Music education
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