El movimiento “Black Lives Matter” y la Iconoclasia contemporánea.
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2023-01-12
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(ES) En la Historia de la Humanidad verificamos que em diversos momentos existieron acciones contra
imágenes o monumentos históricos. En contextos distintos, por motivos diversos y con
legitimación o no de la sociedad.
El siglo VIII y IX y el siglo XVI fueron de extrema importancia no tocante a la reacción violenta
delante del impacto que una imagen ejerce sobre la mente humana, fundamentando lo que hoy
se entiende por iconoclasia.
Ocurre que los últimos años fueron marcados por varias ondas mundiales de iconoclasia. Las
acciones se intensificaron después del asesinato del americano negro George Floyd y el
movimiento “Black Lives Matter” que inicia una serie de derrumbada de monumentos por el
mundo.
¿Podríamos clasificar estos actos como iconoclasia? ¿Sería el mismo fenómeno que se repite, pero
en otro contexto y con otros fundamentos? Este es el objeto do presente trabajo, cuestionar se
estos actos son actos de iconoclasia.
(EN) In the History of Humanity we verify that at various times there were actions against images or historical monuments. In different contexts, for different reasons and with legitimacy or not from society. The 8th and 9th centuries and the 16th century were of extreme importance not regarding the violent reaction to the impact that an image exerts on the human mind, laying the foundation for what is now understood as iconoclasm. It so happens that the last few years have been marked by various worldwide waves of iconoclasm. The actions intensified after the murder of the black American George Floyd and the “Black Lives Matter” movement that initiates a series of collapsed monuments around the world. Could we classify these acts as iconoclasm? Would it be the same phenomenon that is repeated, but in another context and with other foundations? This is the object of this work, to question if these acts are acts of iconoclasm.
(EN) In the History of Humanity we verify that at various times there were actions against images or historical monuments. In different contexts, for different reasons and with legitimacy or not from society. The 8th and 9th centuries and the 16th century were of extreme importance not regarding the violent reaction to the impact that an image exerts on the human mind, laying the foundation for what is now understood as iconoclasm. It so happens that the last few years have been marked by various worldwide waves of iconoclasm. The actions intensified after the murder of the black American George Floyd and the “Black Lives Matter” movement that initiates a series of collapsed monuments around the world. Could we classify these acts as iconoclasm? Would it be the same phenomenon that is repeated, but in another context and with other foundations? This is the object of this work, to question if these acts are acts of iconoclasm.